Henry Gibson

Henry Gibson

Henry Gibson, who died on Monday from cancer at the age of 73, was a fine comedic actor and living pun. (Born James Bateman, his stage name was a tip of the hat to playwright Henrik Ibsen.) Gibson initially became famous in the late ’60s with his turns on the satirical comedy show Rowan & Martin’s Laugh-In and, more recently, portrayed an idiosyncratic judge on Boston Legal. His film credits included The Incredible Shrinking Woman, Wedding Crashers, and the Blues Brothers, in which he memorably essayed a Nazi. He was also a favorite actor of the director Joe Dante who cast him in Innerspace, the ‘burbs, and Gremlins 2. Beginning with a role in 'The Nutty Professor' in 1963, Gibson worked steadily until just last year. His big break arrived in 1968 when he began a 3-year stint on 'Rowan & Martin's Laugh-In,' where each week he would hold a flower and read a poem.

It is an indication of Gibson’s talents that another of his Hollywood patrons was the very un-Dante-esque Robert Altman. The late great auteur cast him in a number of films, such as Nashville and A Perfect Couple. But, to me, Gibson will always be Dr Verringer in Robert Altman’s peerless 1973 noir classic, The Long Goodbye. The movie is stuffed with terrific performances from the likes of Mark Rydell, Sterling Hayden, and, of course, Elliott Gould as laconic, private eye-out-of-time Philip Marlowe. Gibson more than holds his own as the reptilian doc who may or may not be holding Hayden’s alcoholic writer against his will at his sanatorium. If you have seen The Long Goodbye, then you’ll know what I’m talking about. And if you haven’t? Then you are in for a treat. Henry Gibson, the quintessential character actor who played Nazis, priests, drunks and nosy neighbors during a 45-year career that included a stint as an original cast member on 'Laugh-In,' died Monday at his home in Malibu. His son, James, said Gibson died after a brief battle with cancer. He was 73.

Peter Paul and Mary

Peter Paul and Mary

Peter, Paul and Mary made songs like “Blowin’ in the Wind,” “If I Had a Hammer” and “Where Have All the Flowers Gone?” enduring anthems of the 1960s protest movement, died Wednesday night in Danbury Hospital in Connecticut. She was 72 and had lived in Redding, Conn. Ms. Travers brought a powerful voice and an unfeigned urgency to music that resonated with mainstream listeners. With her straight blond hair and willowy figure and two bearded guitar players by her side, she looked exactly like what she was, a Greenwich Villager straight from the clubs and the coffee houses that nourished the folk-music revival. “She was obviously the sex appeal of that group, and that group was the sex appeal of the movement,” said Elijah Wald, a folk-blues musician and a historian of popular music.

Mary Travers, a striking figure of power and glamour in the early-1960s folk music movement, died Wednesday at Danbury Hospital in Connecticut after suffering from leukemia for several years. She was 72. She was best known as the blond with the bangs who commanded the middle microphone with Peter, Paul and Mary, a trio that brought folk music from coffeehouses to top-40 radio. Travers, like Paul Stookey and Peter Yarrow, saw folk music both as an art and as an instrument for change. They sang a number of sociopolitical songs, which Travers later defended. "I'm not sure I want to be singing 'Leaving on a Jet Plane' when I'm 75," she said in one interview. "But I know I'll still be singing 'Blowin' in the Wind.' " The trio took considerable criticism from fellow folk singers for developing a sound that some considered too "commercial" and not "authentic" enough. Travers always strongly defended the trio's sound, saying that they were in the folk tradition by making music accessible to everyone, not just academic collectors.